Showing posts with label Tony Black. Show all posts
Showing posts with label Tony Black. Show all posts

Sunday, 21 May 2017

INTERVIEW: Lucy A. Snyder on The X-Files: Secret Agendas - 'All Along the Scenic Route'

A short interview with author Lucy A. Snyder on her contribution to The X-Files: Secret Agendas anthology, out now from IDW Publishing...

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THE X-CAST: How did you come to be involved with Secret Agendas?

LUCY A. SNYDER: The short answer is that editor Jonathan Maberry asked me if I wanted to write a story for the anthology. Because I've been an X-Files fan since the series premiered, I was very happy to join the project. I first knew Jonathan Maberry from the Horror Writer's Association; a few years ago, he was co-editing a zombie anthology that unfortunately never found a home. I had submitted a story to that which he had accepted, so he knew my work and figured I'd be able to write the kind of story he wanted to see. (He also contacted me about writing poetry for Scary Out There, a YA anthology that was recently published by Simon & Schuster)

TX-C: Have you always been a fan of The X-Files?

LAS: I saw the series premiere back in 1993 and was instantly hooked. I loved the dark, cross-genre nature of the show -- it mixed up science fiction, horror, mystery and conspiracy thriller elements. It reminded me of other shows I'd loved, such as The Twilight Zone, Night Gallery, and Kolchak: The Night Stalker. And I loved the characters, too. As much as I enjoy the genres the show explored, if I hadn't connected with the characters, I wouldn't have kept watching.

TX-C: What informed the decision to frame a lot of the story around Susie Rainwater?

LAS: I approached this story as if I were writing an episode in the 3rd season (my favorite season). Episodes of the show often employ multiple viewpoints to reveal story and provide clues to the viewer. Mulder and Scully often know far less than the viewer at the end of any given episode as a result. I normally stick to just one viewpoint character in a short story, but if I wanted the story to have the cinematic feel of an authentic episode, I knew I needed at least viewpoint characters. Obviously, either Mulder or Scully needed to provide the agents' point of view.

So in planning the story, I had to figure out which other character would best show the reader more about the supernatural mystery than the agents could witness. Who would have the most at stake in the story? Who would be very close to the supernatural events? Who could act as a witness to those events without understanding them in a way that would neatly resolve the mystery for the reader? I quickly realized that young Susie Rainwater was that character, and so a fair bit of the story needed to be shown through her perspective.

TX-C: Native American legends and disrespect toward them is key to the mystery - did you always want to explore these concepts similar to X-Files episodes like ‘Shapes’ or ‘Teso Dos Bichos’?

LAS: I would say that Native American legends are certainly an important element, but whether they're the key or not is up to the reader's interpretation of what happens in the tale. When I was brainstorming the story, I did have those legends in mind, and I was thinking of the X-Files episodes that explore them.

TX-C: This is set immediately after Season 3’s ‘The List’, which Mulder & Scully reference - any reason why that episode specifically?

TAS: Since I knew I wanted to write something that would fit with Season 3, my initial bit of homework was to re-watch that whole season. "The List" takes place in Florida, and the episode after is "2Shy", which is in Cleveland. Mulder and Scully are shown to be traveling by car, and that would be a long road trip of at least a thousand miles. A lot could happen on a trip like that, so wasn't it likely that they could encounter another mystery along the way? Especially if Mulder chose the scenic route instead of the interstate? That's the start of my story: they stop for food and then get embroiled in strange events in a small town.

TX-C: Do you believe in the paranormal?

TAS: I am not a believer, but the paranormal fascinates me nonetheless. It's entirely plot-worthy.

Many thanks to Lucy for her time. You can follow her on Twitter @LucyASnyder.

Questions by Tony Black, who you can follow @ajblackwriter.

Thursday, 18 May 2017

REVIEW: The X-Files: Secret Agendas - 'All Along the Scenic Route'


Tony Black looks at the fourteenth story in The X-Files: Secret Agendas anthology, 'Along the Scenic Route'...

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Written by Lucy A. Snyder

Edited by Jonathan Maberry

The penultimate story in The X-Files: Secret Agendas is more of an aside from Lucy A. Snyder than a full-on case itself, as 'Along the Scenic Route' which Mulder & Scully take on their way back from events of the episode, 'The List' (placing this roughly around early Season Three), sees them stumbling in on problems in a small-town possessed it appears by strange visions with fatalistic results. Snyder from the outset presents this more as a consequence of Mulder & Scully constantly being drawn to the paranormal and has some fun playing up on the idea for once they're not actually desperate to hang around and investigate.

Events spiral mostly around Susie Rainwater, a young girl suffering intense headaches, as the townsfolk in Tilton are seeing strange angels or devils or snakes across town, which could be hallucinogenic manifestations based on mold spores harvested from the Rainwater farm, but which could also connect back to Native American legends of sacred ground. Snyder's story to an extent shares some DNA with 'Teso Dos Bichos' (don't worry, it's better!) or in some ways 'Shapes', that idea of the ignorant white man looking to stamp all over ancient tradition and culture. That lies at the heart of the story and while the pantomime thuggery of said white man is a little on the nose for The X-Files, the ambiguity behind what could be causing this is welcome.

It's really Scully who cooks up most of the theory in this one, the scientific theory, for what may be going on, while Mulder doesn't particularly leap to too many conclusions; Snyder just leaves dangling a few possibilities as to what the cause might be, and it's not the kind of story which has a Mulder theory that ties everything up in a little bow. It becomes clear that Susie may be the primary catalyst for the weirdness but, again, the specific reasons are left open to debate. Snyder characterizes well along the way - she captures Scully's scientific rigor & Mulder's louche wit well, while Susie's childlike approach, when written in her POV, helps alleviate some of the cliched elements of the story.

A simple, well-told and decently written tale, 'Along the Scenic Route', wedging itself within X-Files continuity without falling into the trap of needing too heavily to connect back to the overarching mythos or tap into the lead characters psychology. Lucy A. Snyder simply tells a solid, interesting and open-ended short story effectively, and that makes it a welcome addition to Secret Agendas.

Click here for an exclusive interview this week with Lucy A. Snyder about her story.

Rating: 7/10

You can follow Tony @ajblackwriter on Twitter.

Wednesday, 12 April 2017

REVIEW: The X-Files: Secret Agendas - 'Kanashibari'



Tony Black looks at the twelfth story in The X-Files: Secret Agendas anthology, 'Kanashibari'...

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Written by Ryan Cady

Edited by Jonathan Maberry

Now here's an urban myth I've heard of before - the Kanashibari, a terrifying Japanese folk tale of an old hag who haunts the dreams of people in what would be referred to as night terrors. Ryan Cady captures the concept of such a creature well in 'Kanashibari', the twelfth story in The X-Files: Secret Agendas, clouding the very notion of what reality means in terms of the dream world and how potentially said unconscious can hurt us in the real world. In that sense it beats similarities with Season 2's 'Sleepless', but tonally and in terms of atmosphere shares as much in common with Ringu and other Japanese horror tales. Cady manages to craft a solid tale which remains, to a degree, open to interpretation.

You see it's never quite clear whether we're dealing here with a genuinely supernatural occurrence, a terrifyingly described 'Old Hag' with a shock of hair and white face which creeps onto and attacks you while you sleep, or a chemically induced series of hallucinations tapping into that fear response within REM sleep, and Cady does a very good job of letting Scully have as strong an explanation for what's happening here as Mulder himself does, he quick to leap to the fact a spiritual evil presence is lurking beyond the dream world.

Whether or not the Kanashibari is real, Cady manages to craft some genuinely unsettling moments for Mulder & Scully as they are assailed by terrifying dreams, in strongest written parts of the story; the whole piece is less effective when dabbling in the supporting Japanese father/son difficulties in Los Angeles, though Cady nicely suggests the City of Angels isn't quite as glorious as it seems, given how Scully reacts to the heat in November. It has nice incidental touches.

What 'Kanashibari' also has going for it is, arguably, the best final scene in Secret Agendas, as Ryan Cady weaves a wonderful little stinger at the end, just when you think everything has been relatively wrapped up in a neat little bow. It leaves you going 'ooooh' in the best tradition of The X-Files, in a way not every story in this anthology has done. It deserves applause for that and some evocative writing along the way.

Click here for our exclusive interview with Ryan Cady about his story later this week.

Rating: 7/10

You can follow Tony @ajblackwriter on Twitter.

Friday, 24 March 2017

THE X-CAST #82 - Fresh Bones

THE X-CAST continues with host Tony Black investigating Season 2 Episode 15, 'Fresh Bones'...

When a former US Marine dies suspiciously, Mulder & Scully investigate when suggestions are made that he was involved with voodoo practices that lead back to a Haitian refugee camp, where the agents discover a sinister history of riots, potentially concealed deaths, and a powerful voodoo priest who may, in particular, put Scully's life in jeopardy...

Joined for the first time by Jim Beard, one of the co-writers of IDW's anthology The X-Files: Secret Agendas, Tony explores one of the show's creepiest efforts.

Jim also discusses his Secret Agendas short story, 'Desperately Seeking Mothman', and how he came to write for the project.

Listen to find out more, just remember... trustno1...
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Next time on The X-Cast... join Tony and a Roundtable of guests as they put four X-Files episodes in a head-to-head battle to see who progresses to Round 2 of The X-Files Episode Tournament...

Wednesday, 22 March 2017

ROUNDTABLE DISCUSSION #12 - What are the funniest moments in The X-Files?



For our next roundtable chat based on a key X-Files question...

What are the funniest moments in The X-Files?

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TONY: "This is easy. "Who's that black private dick who's a sex machine with all the chicks? 

SHAFT! Can you dig it?" "I DID NOT!!!""

ANDREW: "'Theef'… Mulder mocks Scully, pursuing his lips, “Mulder, why are we here?”

'Syzygy'… Mulder mocking Scully’s short, little legs

'Bad Blood'… Too many to list!

'Jose Chung'… Mulder’s girly scream

'Hollywood A.D.'… Scully showing Tea Leoni how to run in heels"

SARAH: "It might not be the most hilarious moment of the series, but my favorite funny moment is in 'Quagmire' after the boat crashes and M&S end up on the rock. They hear a sound and realize it's a duck. Mulder says, "I'm still tempted to shoot." And Scully gives him that little nudge. It's the nudge that gets me every time. Also in that same scene when they're discussing cannibalism (because what else do you do when stranded in the middle of a lake?) and he asks if she's lost weight--that classic Scully eye roll is everything.

'Triangle' --when past Scully punches Mulder and he says he expected the left.

When Scully kisses Skinner and the elevator door opens to reveal Spender and Kersh staring
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Scully in a bib eating BBQ.

Mulder in a tree.

'Small Potatoes', 'Bad Blood', 'Je Souhaite'-- everything

Pie.

Bleeping aliens.

Every scene including the waterbed.

Okay, I'll stop now.

PAIGE: "Of course, Mulder's girlie scream was the first thing coming to mind. Eddie Van Blundht practicing F-B-I in the mirror. Mulder and Morris doing their underwear dance a la I Love Lucy in 'Dreamland'. Scully showing Tea Leoni how to run in heels in 'Hollywood A.D.' is righteous. Scully throwing water in Doggett's face at the start of the eighth season, because it just had to be done at that point in time. The reveal in 'Clyde Bruckman's Final Repose' that they're talking about Yappi and not Mulder, and then Mulder being tossed out of the room for his negative vibes. Scully eating the cricket in 'Humbug' and then the human pin cushion telling her the future looks like Mulder as he poses on the steps. Mulder eating piece after piece of pie in 'Jose Chung'."

JONATHAN: "Scully performing the autopsy in 'Three of a Kind' and the cigarette scene. All of 'Bad Blood', the Mulder and Scully married scenes in 'Arcadia'. When we hear Diana Fowley has been shot in 'The End'."

CARL: "The moment that never fails to make me laugh is Mulder's yelp in 'Jose Chung's From Outer Space'. Duchovny's pose towards the end of 'Humbug', which Paige mentioned, is another good one. There's a moment I love in 'Mulder & Scully Meet The Were-Monster', too. I've only seen the episode once, so I may be misremembering it slightly. Mulder says that he's now a middle-aged man, and leaves a pause for Scully to disagree with him. She says nothing, but he presses on anyway: "No, no, I am!" Made me laugh a lot."

BAZ: "Yes, far too many to mention. Mulder doing the dance in the wardrobe mirror of Morris Fletcher's bedroom in 'Dreamland', fake Mulder seducing Scully in 'Small Potatoes', Scully's sex scene with Guy Mann and Mulder trying to get a photo of the monster on his phone in 'Mulder and Scully Meet The Were-Monster', Clyde Bruckman telling Mulder he's going to die from autoerotic asphyxiation 'Clyde Bruckman's Final Repose', all of 'Jose Chung's from Outer Space' (particularly the description of Mulder and Scully, his yelp and Lord Kinbote), Scully's infatuation with the hick version of the sheriff in 'Bad Blood', Mulder's"get me a sandwich woman!" from 'Arcadia', Scully's ability to dismiss all of Mulder's theories in 'War of the Coprophages' and while not technically The X-Files, Mulder's red underpants pose FBI badge from The Simpsons episode 'The Springfield Files.
The great thing about The X-Files, is that for all the moments of horror, there are some truly wonderful comic moments. The show's ability to take the mick out of itself is what kept it fresh and funny for years. it's no coincidence that 'Mulder and Scully Meet The Were-Monster was the most loved episode of the revival'."

What do you think? Do you agree? Disagree? Let us know your choices in the comments below or on social media!

Saturday, 18 March 2017

INTERVIEW: George Ivanoff on The X-Files: Secret Agendas - 'An Eye for an Eye'

A short interview with author George Ivanoff on his contribution to The X-Files: Secret Agendas anthology, out now from IDW Publishing...

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THE X-CAST: How did you come to be involved with Secret Agendas?

GEORGE IVANOFF: Jonathan Maberry had two slots open up for the anthology and invited members of the International Association of Media Tie-In Writers to pitch for them. I submitted two pitches and one of them got through.

TX-C: Have you always been a fan of The X-Files?

GI: Yep! Loved it from the moment it showed up on TV. So getting the chance to write a story for this anthology was a big fan-boy moment for me. It also gave me the excuse to buy it all on DVD as a tax deduction. Research! Research is so important!

TX-C: This is easily the strangest and creepiest story in Secret Agendas - what were your inspirations for the use of eyes?

GI: Thank you for your kind words. My favourite episodes of the series were the stand-alone creature eps rather than the conspiracy mythology based ones. And I love the “is-it-a-monster-or-isn’t-it” approach. So that’s what I wanted to write. As for the eyes… well, eyes are such a sensitive part of the body. And I’m very squeamish about eyes. The best starting points for creepy stories are the things that creep out the author. And the thought of a creature covered in stolen eyes creeped me out in a BIG way.

TX-C: What made you start ‘in media res’, as it were, with Mulder toward the end of the story?

GI: It was simply a case of wanting to start the story at an exciting point. And given that the story falls very much into the “is-the-monster-real-or-isn’t-it?” category, I figured that the first scene should make you think that it is real.

TX-C: There are some definite Biblical & religious overtones with Orvell, not to mention hints of historical abuse - what made these form part of his character?

GI: Once I worked out that the story would be about an optometrist and stolen eyes, the title just popped into my head. “An Eye for an Eye” is a biblical quote, so that led me to finding other biblical references to eyes; and that resulted in me wondering about how to turn the biblical references into a cause. I take a dim view of religious extremism (extremism of any sort, really), which so often is the excuse for all manner of horrible behavior. So I used extremism as the starting point for the historical abuse. And it all came together to form Orvell’s back-story. Even in a fantastical story, there needs to be believable historical motives for a character’s behavior.

TX-C: Do you believe in the paranormal?

GI: No! I believe in science. :-) But the paranormal makes for exciting story telling!

Many thanks to George for his time. You can follow him on Twitter @george_ivanoff.

Questions by Tony Black, who you can follow on Twitter @ajblackwriter.

Friday, 17 March 2017

THE X-CAST #81 - Die Hand Die Verletzt

THE X-CAST continues with host Tony Black investigating Season 2 Episode 14, 'Die Hand Die Verletzt'...

In the town of Milford Haven, Massachusetts, following the ritualistic murder of a teenager, Mulder and Scully arrive to investigate and discover a town riven with legend, hysteria, and belief in occult conspiracy. As they seek to understand why the boy was murdered, the PTA group at the local school attempt to conceal the Satanic worship they begin to fear may have summoned a darker force than any of them anticipated...

 Joined for the first time this season by Wayne Talbot, artist and co-presenter of The Irish Pubcast, Tony explores the last episode of S2 by Morgan & Wong, and the first ever directorial effort from the late, great Kim Manners.

On request, Wayne also takes on the X-Quiz - can he beat his previous two scores?

Listen to find out more, just remember... trustno1...
Listen/Download here:


Next time on The X-Cast... join Tony and his guest, The X-Files Secret Agendas co-writer Jim Beard, to talk Season 2's Fresh Bones...

Sunday, 12 March 2017

REVIEW: The X-Files: Secret Agendas - 'An Eye for an Eye'



Tony Black looks at the eleventh story in The X-Files: Secret Agendas anthology, 'An Eye for an Eye'...

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Written by George Ivanoff

Edited by Jonathan Maberry

Hands down, this is the weirdest and creepiest story in The X-Files: Secret Agendas. No question. 'An Eye for an Eye' is short, sharp, punchy and really really strange from George Ivanoff, revolving around something we take for granted on a daily basis - our precious two eyes. Set during the first season much like the last story, Ivanoff begins in media res with Mulder right in the middle of an incredibly unnerving situation as some kind of bizarre creature made up of eyes begins sucking his eyeball out of his socket, before snapping us back in time to how the agents came to face such a truly weird creature, amongst the weirdest The X-Files has ever given us.

Ivanoff's writing is to the point but really engaging throughout, reading fast and fun, and he manages to nail Mulder's headlong exuberance to believe the weirdest explanation in contrast to Scully's measured response, as they begin investigating people from wildly different backgrounds who've had one of their eyes sucked out of their heads, before forgetting how it happened in the first place.

It's a quick tale which is more interested in getting us to the climax than dwelling on the investigation, with Ivanoff's writing being heavily dialogue-based as Mulder & Scully meet the victims (but he does get in a nice homosexual couple, and a welcome touch given this is set mid-90's) and then find the perp, but it's the encounter Mulder specifically has when they do come face to face with the monster here that makes the story; it's disturbing, very weird, and suggests historical child abuse may be a causal factor, plus it's all tied in with Biblical & religious overtones, which you can imagine given the title. The ending is icky & trippy and would really give you the shivers if you saw it on screen, which any good X-File should do.

Another fine story here from Secret Agendas, which rockets along from George Ivanoff and delivers a supremely creepy and strange villain, good character interactions, sprightly plotting and a memorable climax. 'An Eye for an Eye' may also make you wonder if you should ever wear glasses ever again!

Check here for an exclusive interview with George Ivanoff about his story!

Rating: 8/10

You can follow Tony on Twitter @ajblackwriter

Friday, 10 March 2017

THE X-CAST #80 - Chris Carter's The After

THE X-CAST continues with host Tony Black investigating, in the first Spotlight episode on one of The X-Files' writers, Chris Carter's recent 2014 pilot, The After...

A group of strangers become trapped in a parking lot lift in Los Angeles on what appears to be a normal day, until upon working together to escape they emerge into a world devastated by some kind of unknown event which has caused mass panic. What they find as they explore this new landscape is a truth none of them could have imagined...

Joined once again by The Irish M0vie Blog's Darren Mooney, Tony explores the Amazon series, Carter's characters and story, and the themes of what he was trying to create with this brand new show - one which didn't get past the pilot episode.

Listen to find out more, just remember... trustno1...
Listen/Download here:


Next time on The X-Cast... join Tony and his guest, Wayne Talbot of The Irish Pubcast, to talk Season 2's Die Hand Die Verletzt...

Sunday, 5 March 2017

THE X-FILES RANKED: 208 - The List (1 vote)

Tony Black continues the ultimate X-Files countdown of all 209 episodes, as voted by you, with Season 3 Episode 5, 'The List'...

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In what certainly came as a surprise to me, the lowest rated episode of The X-Files Season 3 has turned out to be 'The List'; indeed this is the second worst X-File ever made with just one vote from a solitary fan. How can this be? Chris Carter's second attempt at both writing and directing, after Season 2's much more celebrated 'Duane Barry', has its flaws but does it really warrant such a low ranking? Is it worse than, say, 'Teso Dos Bichos' from Season 3, or even perhaps 'The Walk'? Does it not have more to say, more to offer, than begets a place in the dreaded bottom ten? For me, the answer is without question yes.

Now that's not me saying I consider this a favorite. I don't. I wouldn't put 'The List' anywhere near my top 25, probably not even my top 50. Yet I believe it has merit, in the story of Napoleon 'Neech' Manley, a murderer on Death Row who swears as he is electrocuted that he will exact vengeance, Biblically, on five men who wronged him in life, from beyond the grave. So begins a series of grisly and violent murders which Mulder & Scully arrive in smoky Florida to investigate, of principally prison guards within the penitentiary system being ran by harsh Warden Brodeur. Scully suspects a conspiracy, while Mulder becomes convinced Neech found a way to reincarnate his soul beyond death.

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'The List' is a dark episode. It's violent, in places quite savagely so - see the haunting moment when Brodeur beats to death, in silhouette largely, Bokeem Woodbine's snitch Roque. It has rotting heads being eaten by maggots, corpses decaying in attics, and it drips with hot, sweaty Floridian atmosphere. The prison set goes a lot way to enhancing this sense of atmosphere - it took 10 days to build and sent the budget way over what was planned, but it remains one of the show's most vivid production design creations (indeed it was re-used for 'Teso Dos Bichos', the S3 finale 'Talitha Cumi' and was later rented out to other Vancouver productions). The maggots were real too!

Carter's story here is perhaps a little soapy and histrionic in places, with the twists and turns lost under a slightly sleazy gaze, but the concepts inherent in his script are fascinating; the education of Neech, reading books about transmigration of the soul (into in this case, an ominous fly); the commentary about the defects of a corrupt prison system, not to mention the undercurrent of race relations between the black prisoners, white guards and the almost colonial approach by Brodeur, played as ever to a vicious tee by the late, lamented J.T. Walsh. There's enough subtext behind the melodrama to make this creepy, gloomy and in places really quite gripping - and I love how the episode ends with both Mulder knowing he hasn't quite figured everything out, before some sublime comeuppance.

It's a shame 'The List' is this low because, for me, there's a lot to like, and a lot of other X-Files which don't match the standard shown here. It doesn't match some of Carter's other writer/director efforts, but Neech and his death list have always stuck in my mind. One you may want to give another look.

--

Our blog team also decided to rank the show based on their own lists, so here's what they picked in 208th place:

Tony: "FEARFUL SYMMETRY: utter utter nonsense from beginning to end. Alien animal abduction is fine but not when it's tied into a horrendously preachy plot about activism, replete with a teeth-gratingly annoying guest performance from Jayne Atkinson. The moment the invisible elephant appeared is the moment I shouted BOLLOCKS. Complete shite."

Andrew: "TESO DOS BICHOS: Just a boring episode. Terrible idea, poor execution, and just… boring."

Carl: "FIRST PERSON SHOOTER. Asinine, juvenile nonsense. Calibrated to appeal to adolescent horndogs, badly damaging the integrity of the characters of Mulder & The Lone Gunmen as it goes. Feints at being a satire, but lacks any teeth or conviction. Boring, but punctuated by some unintentional hilarity. Given as Tony has lowered the tone by swearing, I'll join in: First Person Shooter is a bag of wank."

Paige: "SHAPES. The show often tackled real issues, with differing degrees of success. I feel they felt short here on the Native American front and not only that, the ep bored me to tears."

Sarah: "JUMP THE SHARK. This is one where my personal feelings overrule my critical opinion. The Lone Gunmen were icons of the show. They deserved much better."

Do you agree with this episode ranking? Let us know what you would put in this spot on Facebook, Twitter or via comments below!

Friday, 3 March 2017

THE X-CAST #79 - Irresistible

THE X-CAST continues with host Tony Black investigating Season 2 Episode 13, 'Irresistible'.

After a series of corpse mutilations in Minneapolis, Mulder and Scully arrive to investigate what Mulder soon comes to believe is an 'escalating fetishist', someone with a powerful compulsion to desecrate the dead who may be preparing for his first kill. At the same time, the fetishist--seemingly normal delivery man Donnie Pfaster--undergoes a transformation as his disturbing compulsion grows. As Mulder closes in, Scully becomes increasingly unnerved by a case which gets truly under her skin...

Joined by fellow X-Cast blogger and huge X-Files fan Carl Sweeney, Tony breaks down the beats of 'Irresistible', while also discussing its influences, including Chris Carter's series Millennium. Carl also answers the 5 Questions of X.

Listen to find out more, just remember... trustno1...
Listen/Download here:



Next time on The X-Cast... join Tony and his guest, Darren Mooney, for a bonus episode discussing Chris Carter's most recent series pilot, The After...

Wednesday, 22 February 2017

ROUNDTABLE DISCUSSION #11 - How should Mulder & Scully's story end?



For our next roundtable chat based on a key X-Files question...

How should Mulder & Scully's story end?

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TONY: "So thinking about this, and haters gonna hate me for this, but I don't think M&S should get a happy ending. Happy endings aren't what The X-Files is. I don't mean they should go out in a desperately miserable fashion, or die, but I think they shouldn't end up together as a family unit, and their fate be left ambiguous. I'd be happy with one of them disappearing again, this time for good, if it served a greater story purpose. Or even the old trope of the work never being over, of the show conclusively ending with them still in the FBI, still investigating the paranormal, still chasing The Truth. That's far more fitting than the 2.4 William most shippers undoubtedly would want from this question, and truer to the nature of the show."

PAIGE: "Toughie! I'm not a shipper, but I do think there's no one in the world for either of them than each other. So if they don't wind up together, they both wind up alone. They've been through so much, I would kind of like them on rocking chairs at the end. And I'm not a believer in the happy ending, I just think they have worked their way there. Probably bantering over William's mid-life crisis -- both taking disparate sides, of course."

SARAH: "After they save the world from alien invasion they'll both end up teaching at Quantico. Mulder will head up the students learning how to profile human/alien hybrids. Scully will be the world's foremost expert on alien autopsies, and not that kind you buy from an infomercial for $19.99 + S&H. At the end of the day, they'll go home for a beer and wave to Skinner across the street as he takes out his trash. He's a bestselling author of FBI thrillers that are mostly true, but so wild they seem fictitious. M&S will ask him how his latest novel is going, then invite him over for burgers on Saturday."

CARL: "Scully ditches Mulder at the aisle, realising her future lies with a dashing English blog contributor instead... In all seriousness, I'm not certain about this one. I hear what Tony's saying about them not ending up as a typical family unit, and I'm drawn to that argument. On the other hand, I do think the final scene of 'Existence' was very effective, so something like that could work. I agree that the trope of never being done with the work might make the most sense as an ending. There are two things I know I want for a conclusion to Mulder & Scully's story:

1. Whatever the ending is, it should have been designed as an ending, not a cliffhanger. It would be a huge shame if the last scene of 'My Struggle II' is never followed up on.

2. It would be appropriate for Chris Carter to bring the Duchovny & Anderson era to a close as he sees fit. Whether he would deliver something that the fanbase would be pleased with is another matter, but I'm not bothered about that really."

ANDREW: "'I Want to Believe.' That's my ending. Since CC has said he can't actually imagine writing an end to the series, better 'I Want to Believe' than 'How Many Times Can I Say Alien DNA with a Straight face?"

SARAH: "I was perfectly satisfied with the boat ending."

What do you think? Do you agree? Disagree? Let us know your choices in the comments below or on social media!

Saturday, 11 February 2017

INTERVIEW: Lauren A. Forry on The X-Files: Secret Agendas - 'Stryzga'

A short interview with author Lauren A. Forry on her contribution to The X-Files: Secret Agendas anthology, out now from IDW Publishing...

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THE X-CAST: How did you come to be involved with Secret Agendas?

LAUREN A. FORRY: Total. Blind. Luck. In 2014, I saw a post from Jonathan Maberry about this upcoming series of X-Files anthologies on the Horror Writers Association Facebook page. Two authors had needed to drop out of the project, so to fill their slots he was accepting pitches for stories and the offer was open to anyone. I’d had some short stories published by that point and had signed with my agent, but my first novel hadn’t been accepted anywhere yet, so I really doubted if a pitch from me – a nobody – would make the cut.

I thought about it over the weekend, and I still wasn’t sure if I should submit. When I tried to think of a story idea, I hit a total block. Then that Monday morning, I was walking my dogs before I went to work and the start of a story popped into my head. As I drove to work, the story really quickly began to take shape, and I realized I would be an idiot if I didn’t at least submit a pitch. The worst that would happen is that I’d hear “no,” and, like any writer, I’d already heard that plenty of times.
When I got to work, I sat down at a computer and started typing up my pitch. I teach at a local college and was in the tutoring center that day. I didn’t have any student appointments, so I kept working on the pitch and, after reading through it a few times, I emailed it Jonathan. I thought, well that’s that. At least I tried!

A few weeks later, I was leaving a movie theater and checking my emails. I had just seen Birdman and was in pretty good spirits when I saw an email from Jonathan. I figured it was the rejection. I had to read the email three or four times before my brain registered that he’d chosen my pitch. I literally stood in the middle of the theater, unable to move and with this stupid grin on my face, as all these people swarmed past me on their way out.

I responded, said I could submit the story by the deadline, and that was that. So it turns out, it really would have been a stupid, stupid decision if I hadn’t submitted my pitch.


TX-C: Have you always been a fan of The X-Files?

LAF: Oh, yes. The story of why I’m into The X-Files is actually part of our family lore now. I was eight when the show premiered, and you wouldn’t think it’s a show an eight-year-old should watch (and it probably isn’t). But my dad was a FBI Special Agent. He worked out of the Newark, NJ office and was, before his retirement, the East Coast Aviation Coordinator. FYI – nobody bullies you at school when they know your dad works for the FBI.

So I had grown up loving the FBI, playing with my dad’s badge, fingerprinting my family members, those sorts of things. And my dad loved TV shows and also the supernatural/paranormal. This is a guy who made 8mm short films about aliens when he was in college. So as soon as he heard about The X-Files, he was sold. In 1993, there weren’t as many procedurals on TV as there are now and really none that focused primarily on the FBI so that, too, was really exciting for him.

I very clearly remember standing in our kitchen and my dad saying, “Lauren, there’s this new show on about FBI agents. Do you want to watch with me?” (I was a pretty well-adjusted kid who didn’t scare easily and had a healthy understanding of real versus pretend. I was also writing my own stories about witches and dark blobs by that point and my favorite book was 'Bunnicula' by James Howe, so my parents already knew I liked weird, scary stuff.)

Dad and I watched the pilot together and every single episode after that for the next nine seasons. We lined up to see the first movie wearing X-Files pins and hats that my sister’s boyfriend had got for us (he worked at the movie theater). We would tape episodes with our VCR if we were going to miss them and always waited to watch them together. When, for an elementary school class assignment, I had to write to one of my heroes, I wrote a fan letter to Gillian Anderson. My parents helped me tracked down the address to send it to using the TV Guide. I never received a personal reply, but I did get a signed photo of Anderson and David Duchovny. Every time the “parental discretion” warning came on the screen, we’d always laugh because it was at my parent’s discretion that I was watching the show in the first place.

My dad sadly passed away in 2013, so he never knew about my getting to write Stryzga, and watching Season 10 earlier this year was the first time I’d watched new episodes without him. But I feel he may have somewhat had a hand in making sure I submitted my pitch to Jonathan.


TX-C: What made you want to use ‘Darkness Falls’ as a jumping off point for your story?

LAF: For some reason, and I might never know exactly why ‘Darkness Falls’ has always been one of my all-time favorite episodes ever since it first aired. I even have a YA novelization of it lying around my house somewhere that I got when I was a kid. I’ve always been drawn more to the monster-of-the-week episodes than the conspiracy episodes, and there’s just something about Mulder and Scully, still getting to know each other while being stuck in the woods with this mysterious, deadly force around them that always appealed to me. It’s a bit like a horror movie, with the characters getting stuck in a cabin in the middle of nowhere as they’re picked off one by one.

When I was trying to wrap my head around a pitch, I didn’t have much time to think about where in the timeline I should set my story because I’d wasted time trying to think if I should submit a pitch in the first place. So I thought, why not relate it to my favorite episode? I’ve watched ‘Darkness Falls’ probably dozens of times over the years, so I knew it well, and I realized that there was a natural break between that episode and the next, ‘Tooms.’ Mulder and Scully were in pretty bad physical shape, and they would have needed some time to recuperate. But ‘Tooms’ doesn’t address anything that happened in ‘Darkness Falls’ – Mulder and Scully are back in the field, in perfect physical condition.

So I thought, well, what happened in between? How long would they have needed to heal? ‘Tooms’ can’t be their first case back since ‘Darkness Falls,’ so what could have been their first field assignment since that fateful trip to the Pacific Northwest? My brain started filling in those gaps and a story started to emerge. The ideas flowed so easily, that’s when I knew I’d chosen the right timeframe for my story.


TX-C: You make a point of Mulder being very protective over Scully a key element of the story - was it interesting to write them so early on in their dynamic?

LAF: I found it fairly easy to slip into the mindset of their early relationship simply because there was less history that I had to worry about. Mulder and Scully have been through so much over the last 20+ years and along with the growth that’s happened during those decades, there is also a lot of emotional baggage to deal with.

So going back to a time where they were still getting to know one another – and know each other’s limits – was a lot of fun. They hadn’t yet dealt with Scully’s disappearance/abduction and coma. Mulder still didn’t know much about what really happened to Samantha and the conspiracy behind it. Heck, even Skinner and CSM don’t show up until ‘Tooms,’ so the characters felt a bit freer without all of that history weighing them down.

Also, because they’ve not yet experienced the worst to come, they’re still learning each other’s strengths and weaknesses. They don’t fully know, yet, what the other is capable of, and I wanted Mulder to become overprotective because he feels what happened to Scully in ‘Darkness Falls’ is his fault. In the last scene of the episode, when he’s standing over her bed and she’s unconscious, and he says, “I told her it was going to be a nice trip to the forest”? Like the doctor says, two or three more hours and she likely wouldn’t have made it. So here’s Mulder with a partner that he works well with, who understands him, who he’s developing a close bond with, and he almost kills her? He’s suffering from serious guilt right there!

We know now that there is worse to come for them, but at that moment, it was one of the worst experiences they’d had since they’d known each other, and I felt he needed to deal with the repercussions of that, and Scully, too.

TX-C: Where did the inspiration to use the Stryzga come from? Is it a myth you’ve been familiar with for a long time?


LAF: I actually started with the idea of a summer camp and wanted a monster that would fit in well with that setting. There is a camp in the Poconos that I went to for years as a kid and later worked as a counselor at, and I’ve always wanted to immortalize it in a story. Most of my descriptions of the camp in Stryzga, including the abandoned cabin, come directly from my memories of that summer.
So once I had that setting and developed an idea for what I wanted the monster to do, I searched various legends on the internet. The X-Files covered a lot of the major legends, like the Jersey Devil, so I had to find something the show hadn’t already used. I found the Stryzga the most intriguing, and the fact that it attacks night-time travelers and people who’ve wandered into the woods at night fit perfectly with a summer camp set in the woods.

(And I’ve been recently informed on Twitter of a typo I made in the spelling. It should actually be strzyga, so I apologize to lovers of Slavic mythology for screwing that up!)

TX-C: Do you believe in the paranormal?

LAF: I’m not a hardcore believer, but I’m not a total skeptic, either. I guess I’d say I have a healthy, if realistic, optimism that there might be ghosts and the like out there, but I’m not going to believe everything I hear. For example, I’m convinced my grandparents’ house was haunted, but I don’t think people have captured “real” ghosts on camera or a recording. I once burst out laughing at one of those real-life haunting shows on the Discovery Channel because these people had recorded a “ghost” screaming, and they played the original recording on the show. It wasn’t a ghost. It was a fox. I used to live in the London suburbs where there are a lot of urban foxes. When foxes scream, it sounds like a person being murdered. (Seriously. Search for screaming foxes online. It’s not a pleasant sound to hear at 3am, but it’s not a ghost, either.)

And as for aliens? Mulder would be disappointed in me, but I don’t think aliens have visited Earth. I did some research on the Fermi Paradox (if space is so big, and the possibility for intelligent life so prevalent, where are all the aliens?) for my next novel, and I believe that there has to be life out there somewhere, but it’s not come here. Yet.

Many thanks to Lauren for her time. You can follow her on Twitter @laurenaforry.

Questions by Tony Black, who you can follow on Twitter @ajblackwriter.

Friday, 10 February 2017

THE X-CAST #77 - Aubrey

THE X-CAST continues with host Tony Black looking back at The X-Files Season 2 episode 12 - 'Aubrey', written by Sara B. Charno, and directed by Rob Bowman.

In the small town of Aubrey, Missouri, a detective named BJ Morrow in a delirious outburst uncovers the long buried remains of two FBI agents missing since the 1940's. Mulder & Scully arrive to investigate BJ's strange discovery, and how it links to a historic series of violent murders in Aubrey, in which the word 'SISTER' was carved on the female victim's chests. When a new murder occurs, and BJ begins slipping into a strange madness, Mulder & Scully must face the question - nature or nurture?

Joined once again by Trek FM's Melodic Treks podcaster Brandon Shea-Mutala, Tony examines a much deeper and more fascinating X-File than people often remember. Plus Brandon, for the first time, takes on the X-Quiz this week - can he make a top score?

Listen to find out, just remember... trustno1...
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Next time on The X-Cast... join Tony as he examines the brand new book, The X-Files Origins: Agent of Chaos, with Secret Agendas contributing author George Ivanoff...

Friday, 3 February 2017

THE X-CAST #76 - Scott Bellis aka Max Fenig

THE X-CAST takes a break from episodes this week as Tony Black interviews, for the very first time, an actor who has appeared on The X-Files - guest star Scott Bellis, aka Max Fenig from S1's 'Fallen Angel' & S4's 'Tempus Fugit' & 'Max'.

In this conversation, Scott discusses how he came to be cast on The X-Files during the early days of its production, his working dynamic with David Duchovny & Gillian Anderson, and his experiences filming 'Fallen Angel' and then returning for a pivotal role in S4's two-parter. Scott also discusses his wider career in TV, movies and especially theater, including what he's up to right now.

Listen in for this exclusive chat with Scott, and just remember... trustno1...
Listen/Download here:



Next time on The X-Cast... join Tony for the show's first exclusive interview with a cast member, Max Fenig himself, Scott Bellis...

Friday, 27 January 2017

THE X-CAST #75 - Excelsis Dei

THE X-CAST continues with host Tony Black looking back at THE X-FILES Season 2 episode 11 - 'Excelsis Dei', written by Paul Brown, and directed by Stephen Surjik.

Following the violent sexual attack on a nurse by what seems to be some kind of spirit being, Mulder and Scully head for the Excelsis Dei elderly care home after the nurse files a lawsuit against the Federal government, alleging one of the elderly patients raped her. What they find is a conspiracy among the patients to conceal a remarkable truth about how their chronic illnesses are receding, which may be tied to a sinister spiritual force...

Joined once again by Failed Critics & Character Unlock podcaster Andrew Brooker, Tony takes a scalpel to what he and Brooker come to believe may be one of the worst X-Files of all time. Brooker also takes on the X-Quiz this week - can he equal his previous top scores?

Listen to find out, just remember... trustno1...

(DISCRETION ADVISED: this episode features a heavier amount of profanity than usual and discusses some sensitive topics around the subject of sexual assault)
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Next time on The X-Cast... join Tony for the show's first exclusive interview with a cast member, Max Fenig himself, Scott Bellis...

Friday, 20 January 2017

THE X-CAST #74 - Goblins

THE X-CAST continues with host Tony Black looking back at the very first published novel in THE X-FILES world - 'Goblins', published by Harper Collins in 1994 and written by Charles Grant.

In the small town of Marville, after a spate of seemingly unrelated deaths, Mulder & Scully are ordered by new FBI Section Chief Arlen Douglas to investigate. Joined by green junior agent Hank Webber and his tough partner Licia Andrews, and with Mulder's old reporter friend Carl Barelli close behind, they become embroiled in a small town community with secrets at a premium and a troubling local legend about a murderous 'goblin'...

Joined by novelist and X-Cast blogger Sarah Blair, in her first appearance, Tony examines the differences between book and show, breaking down the characters, plot lines and prose. Plus Sarah gets a chance to discuss her debut novel, Darkness Shifting, very much inspired by The X-Files.

Listen to find out, just remember... trustno1...
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Next time on The X-Cast... Tony is joined by Andrew Brooker to discuss Season 2, Episode 11, 'Excelsis Dei'...

Wednesday, 18 January 2017

REVIEW: The X-Files: Secret Agendas - 'A Scandal in Moreauvia, or The Adventure of the Empty Heart'



Tony Black looks at the ninth story in The X-Files: Secret Agendas anthology, 'A Scandal in Moreauvia, or The Adventure of the Empty Heart'...

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Written by Nancy Holder

Edited by Jonathan Maberry

In the ninth story of The X-Files: Secret Agendas, writer Nancy Holder takes a big big risk by bringing back one of the show's most reviled characters: Inspector Phoebe Green! 'A Scandal in Moreauvia, or The Adventure of the Empty Heart' is without doubt not just a curio but one of the most entertaining stories in this anthology, primarily because it really strives to do something different. 

Holder not only takes Mulder & Scully out of their comfort zone but even out of their country, placing them in England for the kind of tale it's a shame, if understandable, the TV series never actually did - connect Mulder back with an even greater tether to his 19th century inspiration, Sherlock Holmes, and touch again on his British Oxford education roots. It doesn't quite stick the landing, but Holder's story stands out in several unique ways.

Firstly, she really nails these characters, perhaps more than any other writer has quite done yet in this anthology. Holder gets that blend of dogged determination mixed with dry sarcasm in Mulder down pat, as she does the continued exasperation of Scully, who serves as the perspective for this story. Holder really plays up on the visible dislike Scully had for Phoebe during 'Fire', which this can be considered a semi-sequel to; with the comparison being much more on the nose to Sherlock and Irene Adler, down to the cod-Dr Moreau, 19th century literature title, the myriad of Holmes references, and of course a major chunk of the story taking place on Dartmoor. Phoebe is as slippery and annoying as she was when Amanda Pays played her, but that just means she's written well, and arguably the first half of the story as Phoebe leads Mulder into a particularly paranormal case is the strongest.

Holder perhaps falls down by trying too hard to connect this back to the mytharc, which oddly enough has been a recurring problem in many of the stories in Secret Agendas. She makes a point of setting this early in Season 3, tethering it pointedly to the 'Anasazi' trilogy and trying to connect the thematic element of the story to Mulder's brush with death in the boxcar and his 'rebirth', but it feels enormously forced in many places. The whole discovery Mulder & Scully make smacks of Fight the Future too and, oddly, almost doesn't seem to fit their Sherlockian surroundings. It's almost as if Holder had a different kind of story in mind and wanted to wrong foot us, when perhaps the original narrative might have been more rewarding. It's a shame, as the promise of the story doesn't quite pay off.

Regardless, 'A Scandal in Moreauvia' beyond its narrative problems and fan service is among the strongest penned in the Secret Agendas anthology, and just for the fact she gets away with bringing Phoebe Green back, Nancy Holder deserves a round of applause!

Rating: 7/10

You can follow Tony on Twitter @ajblackwriter.

Friday, 13 January 2017

THE X-CAST #73 - Red Museum

THE X-CAST continues with host Tony Black looking back at THE X-FILES Season 2 episode 10 - 'Red Museum', written by Chris Carter, and directed by Win Phelps.

In the small town of Delta Glen, Wisconsin, Mulder and Scully investigate the mysterious disappearance of a teenage boy who reappeared bearing the words 'HE IS ONE' on his back, who the local sheriff believes may have been possessed. Drawn into probing the new age Church of the Red Museum as suspects, Mulder and Scully soon discover something far more insidious is happening in this town, something that may connect back to the death of one of Mulder's closest allies...

Joined once again by friend and TV watcher Matt Latham, Tony reconceives an episode strangely tied into the greater mythology of the show, while Latham takes the X-Quiz - can he get full marks once again like he did with 'Space'?

Listen to find out, just remember... trustno1...
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Next time on The X-Cast... join Tony & writer Sarah Blair as they deconstruct the first ever X-Files tie-in novel, Charles Grant's 'Goblins'...

Friday, 6 January 2017

THE X-CAST #72 - Jonathan Maberry on The X-Files Origins & Anthologies

THE X-CAST takes a break from episodes this week as Tony Black interviews New York Times best-selling author Jonathan Maberry, the mastermind behind the three X-Files prose anthology books.

In this conversation, Jonathan discussed how Trust No One, The Truth Is Out There & Secret Agendas anthologies came to be, including how they're recognised canon by Chris Carter, and talks about the newly released young adult books Devil's Advocate & Agent of Chaos (written by Kami Garcia) involving teenage Mulder & Scully. Jonathan also discusses potential future X-Files projects and his upcoming work in a range of other genres and universes.

Listen in for this exclusive chat with Jonathan, and just remember... trustno1...
Listen/Download here:



Next time on The X-Cast... Tony is joined by Matt Latham to discuss Season 2, Episode 10, 'Red Museum'...